Men hvordan kan blockchain revolutionere måden, man laver regnskab på?
Blockchain could be coming for the accounting industry.

https://www.inc.com/james-paine/how-blockchain-is-disrupting-accounting-industry.html
https://www.banklesstimes.com/2018/02/28/reshaping-accounting-blockchain/

Blockchain
Own Your Carbon Footprint
Carbon on Blockchain
Controlling your carbon footprint should be as easy as checking your bank balance. With Poseidon, it can be.
https://poseidon.eco/

Blockchain + social inclusion:
Bringing Social & Financial Inclusion to the World’s Underserved Population in the Developing and Developed World
https://aid.technology/

Blockhain and supply chain:
Whether you’re a farmer, manufacturer, or independent store owner, Provenance grows your business with trust and transparency.
Open up your supply chain and showcase the people, places and processes behind your products.
https://www.provenance.org/

TUNA fishing on blockchain (case)
https://www.provenance.org/tracking-tuna-on-the-blockchain

Fintech (financial technology)
How you can save lives with Blockchains and Cryptocurrency
The contracts for each particular aid relief program will be agreed upon by everyone involved in the chain – from the distributors of medication at one end to the NGO collecting donations at the other. They then set up non-traditional evidence systems so that those that may not be able to be verified using standard methods – i.e. a bank account – won’t be excluded from aid programs and can instead rely on biometrics for an example. And finally large transactions within the chain can be confirmed by crowd sourced evidence – third party verification. Once everyone knows what’s happening, the wallets open to turn your dollar in to cryptocurrency (with a preset value for each of the the campaigns) and away it goes, tracked every step of the way until it’s in the hands of a worker or a local hospital, who can submit their evidence and turn it into local currency
http://www.hivenetwork.online/2018/04/how-you-can-save-lives-with-blockchains-and-cryptocurrency/
http://www.hivenetwork.online/

Blockchain and SDGs:
https://www.sdg.one/

https://futurism.com/climatecoin-aims-worlds-first-carbon-neutral-cryptocurrency/

https://climatecoin.io/

Tradeshift:
Tradeshift has grown to 650+ people with offices in 12 countries, but our focus hasn’t wavered. We believe that nothing connects a fragmented world like commerce. We digitize and connect everything that happens between a buyer and a seller, anywhere in the world.

CSR
Sustainability in digital tracking:
https://worldfavor.com/
SDGs i sammenligning med GRI /global reporting
https://www.globalreporting.org/Pages/default.aspx

Måling af co2:

https://www.carbontrust.com/home/
Carlsberg har bl.a. brugt denne leverandør til deres strategimål: ”Together towards zero”
https://www.carbontrust.com/our-clients/c/carlsberg-group/

Gogreen Denmark:
Det er en mangfoldighed af virksomheder, der på hver deres måde har indarbejdet bæredygtighed som en del af DNA’et. Du har pengepungen og dermed magten. Vi håber, du bruger den til at ”stemme grønt”, når du handler. Vi vil gøre bæredygtighed nemt og tilgængeligt, så den kan blive en naturlig del af din og vores alle sammens hverdag.

http://gogreendanmark.dk/

Hayao Miyazaki:
Spirited away
https://www.imdb.com/title/tt0245429/?ref_=nv_sr_1

Princess mononoke:
https://www.imdb.com/title/tt0119698/?ref_=nm_knf_i2

Indlægget blockchain, movies, governance (fintech) blev vist første gang den SOFIRA.

http://www.editions-hazan.fr/livre/graffiti-expressions-manifestes-ce-que-le-street-art-ne-dit-pas-9782754109499

https://www.editions-hazan.fr/livre/graffiti-50-ans-dinteractions-urbaines-9782754109420

1. Can you tell me, in a few lines, your own ‘History of Writing’ and how you have become a part of it?
I started doing letters in 1986, but had focus on letters, dynamics, negative spaces and the structural and “bare bones” elements of the letter.
Seeing StyleWars, reading the books SubwayArt+Spraycan Art book opened my world, I felt definitely struck by visions by artists who stood out and brought some new ideas on the table.
I had the focus on investigating how much could be removed from the letter forms, which basic core elements made up the letter form. I did a lot drawings, and considered them as finished works; not intended to wind up upon walls or trains.
I did not venture into conceptual visual work, characters, background but wanted to strengthen the understanding of letters. After 10 years of drawing, I picked up a spray can and did a handful pieces. It quickly became clear, that I wanted to do legal wall spaces, where I could immerse myself in the flow of creating the piece, without having to getting the “kick” out of looking over ones shoulder.

For the past decades I have through social sharing media, been exposed to the popularity and acceptance and/or public demand for work in similar veins as mine. Seeing the “style” flourishing and blossoming up upon walls, interior spaces, galleries, murals, posters, graphic prints etc, so it encourages me and motivates me to get up/getting out there and present my ideas, my take on graffiti culture in a more openly and public manner.

2. Writing Culture has no manifesto, would you say it is a gap or a benefit ?
Its huge benefit not be limited of confined to certain rules or dogmas for the artistic method and approach, but its up to the viewer how they perceive my productions, whether its according to the rules in the graffiti handbook, whether it looks aged, or futuristic.
i am the producer of the art, but the opinions about belongs to and are solely in the hands and minds of the viewer. Myself, I have an open and more free approach to further develop ones ones self expression, steadily living, observing and moving along the lines breathed into life on different mediums and surfaces.


3. Do you feel close the gothic futurism created by Rammellzee ?
if not, did you perceive any philosophy emerging from the graffiti culture?
What I saw in the works of somebody like Ramellzee of the gothic futurism, was out of the box- thinking and an alternative and deconstructing the concept of how graffiti should be like. What remains as an echo of his philosophy, is that he pictured the letters as soldiers (or maybe as weapons?) For me, letters and the alpabeth are merely “individual tones” put together as a string and making a composition or melody. My output; letter based visual communication is essential a metaphor in the truest sense as in word equals worlds.
Letters, in my understanding, carry an energy within and therefor, as all entities in the universe, has a destructive as constructive energy, and when put together they make “worlds” or universes to explore or dive into.

4. ‘Styles War , is competition still the core of your practice ? If yes, do you keep this energy once you are in your studio?

I am battling my own imperfection, as in art is an externalization of ones feelings, emotions, ideas and visions, energy follows thought.

I believe in discovering new lands, new visual languages and new ways of turning letters upside down, doing only fragments of them, half-covered in mystic and magic. For me its a matter of using the art as a safe haven, but alsoas a therapeutic means to calm down, to immerse one self in the flow of energy, getting through the layers, and then getting the first lines down. The process is joyful, but is also an process of trial and errors leaving spots of elegance, magic, fulfillment and failure in the details. Learning to trust the intuitive flow of lines. The work is done, when I I can not add nor remove any lines, as the work, the externalized feeling or sense, rests in this tranquil state.

5. Is graffiti political ? or the individual or at a larger scale? how and why?
Some areas or countries has still an very active illegal scene, and its a constant reminder that some members of the society are beyond the political system and manifests their voice regardless of whats allowed and not allowed. In its “original form” it constitutes an anti-establishment approach, because its represent an anti conformity and an alternative lifestyle, beyond the law. 
Recently the world has observed the power of graffiti as a conveyor of messages, which caused revolution and uproar in countries like Syria, Egypt etc, but on a more personal level, its up the individivual about what goals or motifs, what drives her/him, when create to express ones opinion.


6. Can you relate to a specific style ? Which one and why ?
Developing your own style is a strong goal, or finally, a creative dead end (as ‘branding’ yourself)?

The style or the methodology is originating from graffiti with its aesthetics and elements, but I am seeking and exploring
the world of letters, so I freely can twist and turn the letters upside down, sideways, intensify keypoints of the letter and the structure, and maybe only drawing half of the letter or dissolve the letter shapes completely or repeat the same letter numerous times on the same illustration.
Theres only the rules, you put upon yourself.
My approach is not to repeate and writing my graf-name over and over again, but be flexible and make the words=worlds, I want to convey recognizable, but yet abstract forms, so within the lines, the areas of dynamics, the observer sees or imagines entities which resembles characters or narratives. I believe that are so much more to be explored and investigated using graffiti or writer culture as platform or a starting point, whether its presented as graphic design, abstract lettering or letter based visual art


7. Have you created your own technics, what was the aim of that ?
How does the context influence on the medium’s choice ? Is writing limited to aerosol or do you mix it with other mediums or objects?

My technique is often a mix of mediums in a way unfold the narrative of different platforms and different media. Why should try to paint effects, that’s easier obtained using camera? Why should I do brush strokes splatters, when its easier to use aerosol? Why use masking tape, when its easier to use markers for thin line? 
I began to shoot macro shots of my work, print them large scale and hand embellish them with extended and enhanced linework. Dots and effects from spraypaint, joining and expanding the printed and static universe. The narrative continues and transforms into another medium. It had become a unique original, poster/canvas. Theres a few different streams of my work, developing alongside eachother and sometimes overlapping. I would not say that the technnique is “mine”, but having a conscious mind for recycling and upcycling older works, using bits and pieces in a new work, incorporating tags, handstyles, brushestrokes, spraypaint and what can contribute to the continuous breathe life into the work.
I make walls which I print. I make illustrations which I take pictures of. I use the pictures as a canvas and turn them into posters. I make canvas work which I photograph and made into illustrations. I make murals which I turn I into a canvas, and a lot of people are asking why the signature is missing out in the lower right corner?

The works has been from an open perspective, where there is no predefined angle from which the work should be observed. Everyone has their own preference, and I would let the viewer choose from themselves and getting in tune with the work from the most inspiring angle.
- often I turn the paper or canvas upside down during the process of making first lines – its a matter of which angle the viewer and the observed would find most interesting element and spark up the imagination. 

8. Do you include urbex or vandalism in your practice ? If yes, please tell something about that people frequently link graffiti art and the art of installation, some kind of urban and art, do you agree with this idea ?

If vandalism is considered tags, handstyles, graffiti letters then there are traces of those visible in my output  I agree that post-graffiti of mural can be categorized and labelled as an urban art, and Installation or contextual placement of the tags have great importance within the peers and represents parts of subworld/culture. Its represents a counterculture and a subculture driven by passion.

9. what is your point of view on collaboration between artists and brands for advertisement or marketing? Is it a sad and nocive decay or an opportunity at the benefit of both parts?

There are numerous examples of former graffiti artists doing commercial work such as advertising, but as long the artist have integrity to be associated with that brand or marketing campaign I can only see it a benefit for both parts. . 
In my opinion, throughout history the best works has been done as a commission. I believe that its an unevitable direction of merging or integrate art and corporations in one way or another.
I am aware of cases, whereas the artwork, or “style” has been mass-produced, copied and without the permission or acknowledgement to the artists, but as along as the artists gets proper credit or paid for it, the financial support can pave the way and make the artist continuously sharing his/her talent and vision and develop it even further.

10. Post-Graffiti being already a thing of the past, how do you fancy the future of Writing ? Street art ? video art? 
sculpture? Integration into contemporary art ? political tool of urban gentrification ? or just the end?

I can  see the future perspectives of applying writing culture or artistic expression in different mediums and formats such as VR, AR, 3D printing, drone painting or even as letter shapes as funiture or home decorations. Free to utilize any medium or format, that the artists see fit to communicate or explore his/her vision. Theres no limitations, but only imagination. Energy follows thought, which action manifests.

Indlægget graf – lokiss blev vist første gang den SOFIRA.

flipbooks:
https://www.youtube.com/watch?v=GTAhvKoF948
https://www.youtube.com/watch?v=dA-CfimTTAU

Indlægget WASH blev vist første gang den SOFIRA.

opslag for projekt følgesvend Danske Seniorer

folder projekt følgesvend

33b57612775885-5630e74911247

kulturnat i griffenfeldsgade

Seniordage i foråret 2016

annonce og flyer Bakken sommerfest

annoncekampagne for events

brochure og annonce

header_DS

Indlægget Danske Seniorer blev vist første gang den SOFIRA.

Default

This is a paragraph. It should not have any alignment of any kind. It should just flow like you would normally expect. Nothing fancy. Just straight up text, free flowing, with love. Completely neutral and not picking a side or sitting on the fence. It just is. It just freaking is. It likes where it is. It does not feel compelled to pick a side. Leave him be. It will just be better that way. Trust me.

Left Align

This is a paragraph. It is left aligned. Because of this, it is a bit more liberal in it’s views. It’s favorite color is green. Left align tends to be more eco-friendly, but it provides no concrete evidence that it really is. Even though it likes share the wealth evenly, it leaves the equal distribution up to justified alignment.

Center Align

This is a paragraph. It is center aligned. Center is, but nature, a fence sitter. A flip flopper. It has a difficult time making up its mind. It wants to pick a side. Really, it does. It has the best intentions, but it tends to complicate matters more than help. The best you can do is try to win it over and hope for the best. I hear center align does take bribes.

Right Align

This is a paragraph. It is right aligned. It is a bit more conservative in it’s views. It’s prefers to not be told what to do or how to do it. Right align totally owns a slew of guns and loves to head to the range for some practice. Which is cool and all. I mean, it’s a pretty good shot from at least four or five football fields away. Dead on. So boss.

Justify Align

This is a paragraph. It is justify aligned. It gets really mad when people associate it with Justin Timberlake. Typically, justified is pretty straight laced. It likes everything to be in it’s place and not all cattywampus like the rest of the aligns. I am not saying that makes it better than the rest of the aligns, but it does tend to put off more of an elitist attitude.

Indlægget Markup: Text Alignment blev vist første gang den SOFIRA.

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lacinia consectetur. Donec ut libero sed arcu vehicula ultricies a non tortor. Lorem ipsum dolor sit amet, consectetur adipiscing elit. Aenean ut gravida lorem. Ut turpis felis, pulvinar a semper sed, adipiscing id dolor. Pellentesque auctor nisi id magna consequat sagittis. Curabitur dapibus enim sit amet elit pharetra tincidunt feugiat nisl imperdiet. Ut convallis libero in urna ultrices accumsan. Donec sed odio eros. Donec viverra mi quis quam pulvinar at malesuada arcu rhoncus. Cum sociis natoque penatibus et magnis dis parturient montes, nascetur ridiculus mus. In rutrum accumsan ultricies. Mauris vitae nisi at sem facilisis semper ac in est.

Indlægget quote blev vist første gang den SOFIRA.

ergrtgtrgtrgrt

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